Peter Bressan (1663 - 1731) was one of the most important baroque recorder makers. He was born in France and baptized Pierre Jaillard. In 1678 he was apprenticed to a wood turner in Bourg for two years; he then left Bourg, but it is not known where he learnt instrument making, although this was most probably in Paris. His treble recorders are similar to those of his contemporary Jean-Jacques Rippert. He came to England in 1688, and is first mentioned as Brazong or Bresong in English archives in 1691 as one of the 'hautboys' who accompanied William III to Holland. The James Talbot Manuscript (GB-Och Music 1187, c1695; see Baines) shows that he was already a leading London maker of flutes, recorders and oboes.
In the 16th and 17th centuries Bressan's residence had been the town house of the Chancellor of the Duchy of Lancaster, although by Bressan's day it had been divided up; this explains the use of the red rose of Lancaster in his mark (P I/Bressan/cinquefoil rose). Bressan was a friend of James Paisible, who in 1721 appointed him an executor of his estate in England (the other was Peter La Tour, later Bressan's principal creditor).
Bressan published violin sonatas by Castrucci (1718) and violin or flute sonatas by Barsanti (1724). He subscribed to J.C. Gillier's Receuil d'airs francois (1723) and to J.E. Galliard's Hymn of Adam and Eve (1728). His house contained a room large enough for exhibitions. In 1725 John Byrom, author of the epigram on Handel and Bononcini, bought a flute from Bressan, which cost five guineas. The London newspapers of about 6 May 1731 report his death in Tournai, describing him as 'that celebrated artist in making flutes'. An inventory of his house shows that he made all the contemporary wind instruments, and indicates his interest in the fine arts, itemizing some 76 pictures, prints, portraits and busts.
As to Bressan's instruments, some three flutes and 48 recorders survive. The
recorders consist of one 4th flute (B
), 20
altos (F), ten voice flutes (D), 11 tenors (C) and six basses (F). Except
for the basses most are scaled in total external length in the ratios B
: 3/4;
F: 1; D: 6/5; and C: 4/3.
(abridged and adapted from Grove's)
| Maker | Recorder Model | Recorder Size | Pitch | Material | Pieces | Holes | Fingering | Comments | List Price | Our | ||||||||||
| Takeyama |
Bressan | Soprano | 440 | Maple | Three | Double | English | New - Marvellous instrument. Hand-picked at the Boston Early Music Festival! | $550 | $589 | ||||||||||
| Takeyama |
Bressan | Soprano | 415 | Maple | Three | Double | English | New - Marvellous instrument. Hand-picked at the Boston Early Music Festival! | $600 | $649 | ||||||||||
| Takeyama |
Bressan | Alto | 440 | Maple | Three | Double | English | New - Marvellous sound! Hand-picked at the Boston Early Music Festival! |
|
$759 | ||||||||||
| Takeyama |
Bressan | Alto | 415 | Maple | Three | Double | English | New - Marvelous sound! Hand-picked at the Boston Early Music Festival! |
|
$829 | ||||||||||
| Beha-Gibbons |
Bressan | Alto | 415 | European Boxwood (flamed) | Three | Double | English | Used- Mint Condition! - Revoiced by Femke Bergsma |
| $1850 | ||||||||||
| Coolsma |
Bressan![]() | Alto | 415 | Flamed Maple | Five | Double and Single | English and Hotteterre | Used - Excellent condition with ivory thumb bushing and expertly re-voiced by Lee Collins in June, 2007 to play better than new! Has two bodies so that you can also play with single holes and Hotteterre fingering! |
|
$2150 |
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| David Coomber |
Bressan![]() | Alto | 440 | European Boxwood w/ivory thumb bushing | Three | Double | English | New - Premium instrument from the workshop of New Zealand maker David Coomber! Typical Bressan sound, but a bit easier-blowing than the Ehlert Bressan |
|
$2150 |
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| Joachim Rohmer | Bressan |
Alto | 440 | Stained Boxwood | Three | Double | English | New - One of a few A440 recorders that sounds and responds like an old pitch instrument. Perfect for French Music as well as Handel and Purcell! | $2150 | |||||||||||
| Joachim Rohmer | Bressan![]() |
Alto | 440 | Ebony | Three | Double | English | Used - Mint condition. One of a few A440 recorders that sounds and responds like an old pitch instrument. Perfect for French Music as well as Handel and Purcell! | $2250 | |||||||||||
| Joachim Rohmer | Bressan Corelli |
Corelli/Dorothee Oberlinger Alto |
415 | Stained Boxwood | Three | Double | English | New - Complex-toned instrument. Perfect for Italian and French Music as well as Handel and Purcell! Listen to Dorothee Oberlinger play this model on her new Italian CD! |
$2150 |
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| Joachim Rohmer | Stanesby Jr![]() |
Alto | 415 | Stained Boxwood | Three | Double | English | New - Responsive instrument. Perfect for Telemann as well as Handel and Purcell! |
$2150 |
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| Joachim Rohmer | Bressan |
Voice Flute | 415 | Plumwood | Three | Double | English | New - remarkably easy high notes with strong low notes. Plumwood has beautiful grain and color and is light and easy to hold. Includes three tuning rings so that octaves can be played in tune if the head needs to be pulled out! |
$2050 |
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| von Huene | Bressan |
Boismortier Voice Flute |
415 | Stained Boxwood w/art Ivory Mounts | Three | Double | English | Used - mint condition. Thumbhole in pristine condition! Very strong tone for a VF throughout the range! Same kind used by Paul Leenhouts. | $2500 | $2250 | ||||||||||
| Ralf Ehlert |
Bressan |
Oblinger/Ose Keller(X) Alto | 415 | Stained Boxwood | Three | Double | English | Used - Revoiced by maker May, 2008. Slight warping of middle joint does not affect tuning. Perfect for Purcell, Handel, Corelli, and Hotteterre! Solid low g and f with no burbles! |
| $2350 | ||||||||||
| Ralf Ehlert |
Bressan |
Oblinger/Ose Keller(X) Eloy Cortinez/Bach(X) Alto | 415 | Lightly Stained Boxwood | Three | Double | English | New - Perfect for Purcell, Handel, Corelli, and Hotteterre! Solid low g and f with no burbles! |
| $2350 | ||||||||||
| Stephan Blezinger |
Italian? Schell? Jenkins - Air Jenkins - Courant | Tenor | 415 |
European Boxwood | Three | Double | English | New - Based on an instrument found in Leipzig with no maker's marks. Blezinger thinks it's of Italian origin. I think it's from Nurnberg, probably by Schell, based on the turning. In any case it's the most powerful keyless baroque tenor now being made! The ergonomics are excellent and even players with small hands can get the low C! On top of everything else, the tone is supple and smooth even through the high notes. |
|
$2750 |
||||||||||
| Ralf Ehlert |
Bressan Ehlert copy on top, Bressan original in Dayton Miller Collection on bottom, shown for comparison purposes. | Eloy Cortinez/Bach(X) | 415 | Lightly Stained Boxwood | Three | Single | Hotteterre | Used - Revoiced by maker May, 2008. Slight warping of middle joint does not affect tuning. Perfect for Purcell, Handel, Corelli, and Hotteterre! Solid low g and f with no burbles! |
|
SOLD 3/05/2009 to the gentleman in Rio de Janeiro. |
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| Fred Morgan |
Bressan
| Soprano | 415 |
Ebony | Three | Double | English | Used - VERY RARE!! Excellent condition. Suitable for Collectors and Professionals. Very minor wear to thumbhole and slight discoloration of lip (see photo). | $5,750 O.B.O. |
SOLD 1/17/2009 to the gentleman in Nagoya. |
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| Ralf Ehlert |
Bressan![]() | Soprano | 415 | Stained Boxwood | Three | Double | English | New - beautiful Bressan sound for solo sonatas! | $1850 |
SOLD7/22/2008 to the professional recorder player in Atlanta. |
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| Joachim Rohmer | Bressan |
Tenor | 415 | European Boxwood | Three | Double | English | New - Full-bodied keyless tenor in beautiful European boxwood!. The instrument has remarkably easy high notes with strong low notes. | SOLD 6/23/2008 to the gentleman in St. Louis |
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| Ralf Ehlert |
Bressan![]() | Soprano | 415 | Stained Boxwood | Three | Double | English | New - beautiful Bressan sound for solo sonatas! | $1950 | SOLD
6/21/2008 to the Oberlin Conservatory |
||||||||||
| Ralf Ehlert |
Bressan |
Oblinger/Ose Keller(X) Eloy Cortinez/Bach(X) | 415 | Lightly Stained Boxwood w/Artificial Ivory Mounts | Three | Double | English | New - Perfect for Purcell, Handel, Corelli, and Hotteterre! ! Solid low g and f with no burbles! |
| SOLD! to the gentleman in Sweden 3/22/2008 | ||||||||||
| Tim Cranmore |
Bressan![]() |
Alto Bressan (X) | 405 | Boxwood w/artificial ivory mounts | Three | Single | Baroque | New - Exact copy of original Bressan recorder at the original low pitch! You can play this recorder along with CD's made with original Bressan instruments by such players as Frans Bruggen, Hugo Reynes, Walter van Hauwe and Kees Boeke. |
| SOLD! to the Japanese Gentleman in Cambridge 11/15/2007
|
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| David Ohanessian | Bressan
| Alto | 392 | Stained Boxwood | Three | Double | English | Used - lovely dark tone which is perfect for French baroque music at Opera Pitch. Revoiced by Patrick Von Huene June 2007 for fuller sound. |
|
SOLD! to the gentleman in Valenciennes, France 10/10/2007 |
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| Ralf Netsch | Bressan![]() |
Voice Flute (Tenor in D) | 415 | Flamed Boxwood with artificial ivory thumb bushing | Three | Double | Baroque | New - Wonderfully rich tone and excellent intonation make this a perfect instrument for the baroque flute repertoire. | SOLD! to the gentleman in Italy 08/19/2005 |
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| Fred Morgan |
Bressan
| Alto | 415 |
Boxwood (detail of thumb hole)
| Three | Double | English | Used - VERY RARE!! Pristine condition. Excellent for Collectors and Professionals. Beautiful haunting tone with full low notes and singing high notes. |
|
SOLD to the professional recorder player in Belgium 07/09/2005 | ||||||||||
| Fred Morgan | Bressan
| Alto | 415/440 |
Boxwood (detail of thumb holes)
| Three | Double | English | Used - VERY RARE!! Two centers AND foot joints! Pristine condition. Excellent for Collectors and Professionals. It plays beautifully at A415 and is the nicest baroque recorder I have ever seen or heard at A440 after successful revoicing by Ralf Ehlert! |
|
SOLD to the gentleman in Japan | ||||||||||
| Ralf Ehlert | Bressan
| Alto | 415 | Boxwood | Three | Double | English | New - Superb tone quality! Perfect for Handel and Corelli |
|
SOLD to the gentleman in New York 07/02/2005 | ||||||||||
| Joachim Rohmer | Bressan
| Alto | 415 | Stained Boxwood | Three | Double | English | New - Dark toned instrument. Perfect for Handel and Purcell! |
|
SOLD to professional recorder player in the SF
Bay Area 3/07/2005 | ||||||||||
| Ralf Ehlert | Bressan
| Alto | 415 | Stained Boxwood | Three | Double | English | New - Superb tone quality! Perfect for Handel and Corelli |
| SOLD to the traverso and recorder playing gentleman in Hawaii 7/25/2004 | ||||||||||
| Joachim Rohmer | Bressan
| Tenor | 415 | Plumwood | Three | Double | English | New - remarkably easy high notes with strong low notes. |
| SOLD to the gentleman in Southern California 7/17/2004 | ||||||||||
| Beha & Gibbons |
Bressan
| Alto | 415 | Stained Boxwood | Three | Double | Baroque | Used - Full rich tone, reminiscent of Prescott |
| SOLD to upper intermediate player 6/23/2004 | ||||||||||
| Kinoshita | Bressan
| Alto | 415 | Boxwood | Three | Double | English | Used, excellent condition |
|
SOLD to recorder player in Japan 9/10/2003 | ||||||||||
|
Fred Morgan | Bressan
| Alto | 415 |
Ebony w/Ivory Beak | Three | Single | English | Superb early Morgan |
|
SOLD to collector in Hawaii |
Picture | Original | Copy | Comments | |||||
| Bressan DMC 0127 - Middle | Top: Ehlert, Bottom: Cranmore | Note: the Ehlert and Cranmore instruments were NOT modeled on the DMC Bressan! Instruments shown for comparative purposes only. Photo by Charles Fischer | |||||
| Bressan DMC 0127 - Middle | Left: Ehlert, Bottom: Cranmore | Note: the Ehlert and Cranmore instruments were NOT modeled on the DMC Bressan! Instruments shown for comparative purposes only. Photo by Charles Fischer | |||||
| Bressan DMC Voice Flute, stained boxwood with ivory mounts. | Photo by Charles Fischer | ||||||
| Bressan DMC Voice Flute heads (top and bottom) compared with Ehlert Stanesby VF head. | Photo by Charles Fischer | ||||||
| Bressan DMC Voice Flute center compared with Ehlert Stanesby VF center | Photo by Charles Fischer | ||||||
| Bressan 4th Flute, Oxford The 4th flute is a soprano in Bb, useful for Dieupart suites. Stained boxwood. | Ehlert | Photo by Charles Fischer | |||||
| Bressan Alto, Oxford - Stained boxwood with ivory mounts | Cranmore, Ehlert | Photo by Charles Fischer | |||||
| Bressan alto in boxwood and ivory, Musikinstrumentenmuseum, Berlin | Many makers produce Bressan copies, but not necessarily this specific instrument. | Photo by Charles Fischer | |||||
| Bressan - Paris | All the pictures from the Paris Museum are far too small. If anyone has better digital pictures PLEASE email them to me and I will update them on this site!!! |
A. Baines: 'James Talbot's Manuscript, 1: Wind Instruments', GSJ, i (1948), 9--26
E. Halfpenny: 'The Bass Recorders of Bressan', GSJ, viii (1955), 27--31
E. Halfpenny: 'Biographical Notices of the Early English Woodwind-making School, c.1650--1750', GSJ, xii (1959), 44--52
M.A. Byrne: 'Bressan', GSJ, xxxvi (1983), 2--28; xxxvii (1984), 102--11
W. Waterhouse: 'A Case of Flutes by Mr Bressan', GSJ, xlvi (1993), 162--3
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| Address: | Charles Fischer/Unicorn Music 2324 Linden Hill Dr. Bloomington, IN 47401 |
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