Home Up Errata Vol. 2

Recorder From Zero, Vol. 2

LessonPiece #TitleComposerYearNew NotesPedagogy
21a108GavottePraetorius1612 REVIEW LESSONS 1-20
 109AlmandePhalese1571  
 110Bransle DoublePraetorius1612  
 111Benedicamus DominoSpanish Motet13th c. Dorian mode
21b112Benedicamus DominoSpanish Motet13th c. Dorian mode
 113Quant Ay Lo Mon ConsiratTroubadour Song12th c. Dorian mode
 114Robert, Veez de PerronThibault, Roi de Navarr3ec. 1260 Aeolian Mode
 115Lullaby from the Isle of ManEnglish18th c. Aeolian mode
 116Shule AgraIrish18th c. Aeolian mode
22117NonesuchPlayford1650 Aeolian mode
 118Swedish Folk SongSwedish18th c. Aeolian mode
 119Heigh-Ho! Nobody at HomePammelia1609 Aeolian mode
 120The Fine CompanionPlayford1651 Aeolian mode
 121BransleE. du Tertre1557 Aeolian mode, ABACABAD
23a122He! Robins & BergeronetteFrench13th c. Lydian Mode
 123Robins M'aimeAdam de la Hallec. 1280 Lydian mode
 124Wir Suln den Kochen RatenWalter von der Vogelweidec. 1200 Lydian mode
 125DansaGuirant D'Espanha de Tolosa13th c. Lydian mode
 126Mara Villom'euAlphonso X, El Sabioc. 1250 Transposed Ionian Mode
 127A VirgenAlphonso X, El Sabio18th c. Mixed Lydian/Ionian mode
 128Round for 2 or 3Anon18th c. Transposed Ionian mode
23b129Edi Beo ThuEnglish13th c. Transposed Ionian mode
 130Danse du RoySusato1551 Transposed Ionian mode
 131RondeSusato1551 Transposed Ionian mode
24132ArgeersPlayford1651 Transposed Ionian mode
 133Lamento di Tristan / La RottaItalian14th c. Dorian mode, 16th notes in 2/2
 134Glen LyonScottish Reel18th c. Dorian mode
 135Une Chancon Encore VueilThibault, Roi de Navarrec. 1240 triplets in 1/2
 136Ed Muitas GuisasAlphonso X, El Sabioc. 1250 16th notes and triplets in 2/2
25137Chanterai Por Mon CourageGuiot de Dijon1189 Mixolydian Mode
 138Congaudet HodieFrenchc. 1200 Mixolydian mode
 139Vide Perdite Me LegiFrenchc. 1200 Mixolydian mode
26a140Syncopation Exercise 1CPF1975 Syncopation
 141Syncopation Exercise 2CPF1975  
 142Viva La MusicaPraetorius1610 Playing without barlines
 143Syncopation Exercise 3CPF1975 Two syncopations in a row
 144Singet Dem HerrenPraetorius1610 Dotted syncopation
 145Aus Tiefer NotMartin Agricolac. 1530 Phrygian mode
 146Vom HimmelhochKaspar Othmayr1547 Ionian mode
26b147HaussegenGumpelzheimerc. 1600 Transposed Ionian mode
 148Der Grimmig TodGumpelzheimerc. 1600 Dorian mode
 149Nun Komm Der Heiden HeilandKaspar Othmayr1547 Transposed Dorian/Aeolian mode
27a150ExerciseCPF1975 Modal cadences - melody
 151""" Modal cadences - two parts
27b152Syncopation Exercise 4"" double syncopation,
 
 153Il Estoit une FilletteSusato1551 musica ficta
 154BransleGervaise1555 Mixolydian mode
27c155Round for Ionian IntervalsCPF1975 Ionian mode
 156PavaneAttaignant1547 Transposed Dorian/Aeolian mode
28a157Hemiola Exercise 1CPF2002 Hemiola
 158Hemiola Exercise 2""  
 159Bransle CourantFranco Caroubel1612  
 160Bransle GayGervaise1550  
28b161PavaneGervaise1550  
 162GalliardGervaise1550 dotted half = whole (tactus)
 163PavaneGervaise1550  
 164GalliardGervaise1550 dotted half = whole (tactus)
29a165Flamme EmporPraetorius1574  
 166Ach ElsleinGerman15th c. False Hemiola
 167VoltePraetorius1612 12/2 and 12/4
 168Bransle GayModerne1546  
 169Bransle GayGervaise1550  
29b170TordionAttaignant1530 Dorian mode
 171Bransle GayAttaignant1547 Transposed Dorian/Aeolian mode
 172TordionAttaignant1547 Transposed Dorian/Aeolian mode
30a173BiciniumKaspar Othmayr1547 Syncopation as shifted meter
 174La BourreePraetorius1612  
30b175Souvent AmourPeletier1550  
31a176Basse DanceAttaignant1547  
31b177RondeSusato1551  
 178SaltarelleSusato1551 dotted half = half (tactus)
 179Bransle de PoictuGervaise1550 Offset hemiolas, Mixolydian mode
32a180ExerciseCPF2002high f' 
 181"""  
 182Ce Fut en MaiMoniot d'Arras13th c. Transposed Ionian mode
 183He That Will an Alehouse KeepRavenscroft1609  
 184St. Martin's CanonGerman14th c. Dorian mode
 185Bransle SimpleGervaise1555  
32b186Verbum Bonum et SuaveFrench Motetc. 1200 16th note triplets in 6/8
33a187Basse Dance “La Brosse”Attaignant1530  
33b188BiciniumKaspar Othmayr1547 Transposed Phrygian mode
 189BiciniumJosquin des Prezc. 1500 Extended pieces, Dorian mode
34a190Puer Natus in BethlehemPraetorius1610 Extended pieces (Christmas Carols)
34b191In Dulci JubiloPraetorius1610  
35a192Passamezzo D’ItalyePhalese1571  
 193Pavane PassamaizeGervaise1555 Written out divisions
 194TordionAttaignant1547 Division Hemiolas
35b195Pavane LesquercadePhalese1571 Pavane and Galliard
 196La Rocque GalliardPhalese1571 Pavane and Galliard (tactus)
36a197Can She Excuse My WrongsJohn Dowland17th c. Syncopation as metrically shifted pulse
 198Syncopation Exercise 5CPF1975  
 199Aus Tiefer NotKaspar Othmayr1547 Phrygian mode
 200Ein Fest BurgKaspar Othmayr1547 Ionian mode
36b201CanonJosquin des Presc. 1500 Transposed Ionian mode
 202New OystersT. Ravenscroft1609  
 203Per illud Ave ProlatumJosquin des Presc. 1500 Mixolydian mode
37a204Difference Tones ICPF2002 Playing Pure Thirds
 205Difference Tones II"" Playing Pure Fifths
 206Andray SouletMatheus de Perusioc. 1400  
 207An Old EpitaphHenry Purcell17th c.  
 208Now That The SpringJohn Hilton1652  
37b209BalletIncerti1612  
 210O AbsalomWilliam Lawes1652  
 211Adam Catched EveJoseph Baildon1765  
38a212Bransle Double de PoictuCaroubel16th c.  
 213Nu Komm Der Heiden HeilandPraetorius1612 Advanced rhythms, Transposed Dorian mode
38b214BenedictusGuillaume Dufayc. 1450 Dotted whole = whole (tactus)
 215Canonic BalladeGuillaume de Machautc. 1350  
39a216Chanson “Ma Mignonne”Claude Le Jeunec. 1595 Extended advanced rhythms
39b217Canzonette “Fyre and Lightning”Thomas Morely1595  
 218Per Illud Ave ProlatumJosquin des Presc. 1500  
40219Voici du Gai Printemps Jan Pieterszoon Sweelinck1612 Concert piece - Part I
 220Le Dieu Mars "" Concert piece - Part II

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