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Recorder From Zero, Vol. 1
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Lesson | Piece # | Title | Composer | Year | New Notes | Pedagogy | |
1 | 1, 2 | Exercise | CPF | 2001 | b, a | whole, half, 4/4 time, tonguing | | | 3, 4 | " | " | " | g | " | | | 5, 6 | " | " | " | | quarter notes | |
2 | 7 | " | " | " | | b to g in wholes | | | 8 | " | " | " | | b to g in halves | | | 10 - 12 | " | " | " | | b to g in quarters | |
3 | 13 - 16 | " | " | " | d, c | stepwise | | | 17, 18 | " | " | " | | intervals in halves | |
4 | 19, 20 | " | " | " | | intervals in quarters | | | 21, 22 | " | " | " | | eighth notes | | | 23, 24 | " | " | " | | stepwise in eighths | |
5 | 25 | Bransle | Caroubel | 16th c. | | repeat signs | | | 26 | Bransle | Gervaise | 1551 | | | | | 27 | Bransle | Gervaise | 1551 | | | | | 28 | Bransle | Praetorius | 1612 | | | | | 29 | Bransle | Moderne | 1550 | | | | | 30 | Bransle | Gervaise | 1551 | | dotted quarter and eighth note | |
6 | 31, 32 | Exercise | CPF | 1975 | | compound 3/4 | | | 33 | French Dance | Anon. | 13th c. | | round | | | 34 | Oats, Peas, Beans, and Barley | American | 18th c. | | | | | 35 | Fais Do Do | French | 18th c. | | D.C. al Fine | | | 36 | Exercise for Slurs | CPF | 1975 | | slurs | | | 37 | Stantipe | English | 13th c. | | | |
7 | 38 | Bransle | Gervaise | 16th c. | low f# | | | | 39 | Gilotte | Praetorius | 1612 | | 1st and 2nd endings | | | 40 | Bransle | Gervaise | 1551 | | | |
8 | 41 | Half Hannikin | Playford | 1650 | | compound duple 6/8 | | | 42 | Picking of Sticks | Playford | 1650 | | pickup note | | | 43 | Bransle Courant | Gervaise | 1551 | | compound duple 6/4 | | | 44 | Saltarello | Phalese | 1583 | | | |
9 | 45 | Bransle de Champaigne | Gervaise | 1550 | | cut time | | | 46 | Bransle de Champaigne | Gervaise | 1555 | | | | | 47 | Bransle Double | CPF | 2001 | | (written out divisions) | |
10 | 48 | Lament from the Bennada Glens | Irish | 18th c. | | | | | 49 | Bransle de Champaigne | Gervaise | 1550 | low e | | | | 50 | Almande Lorayne | Phalese | 1571 | | low f# to e fingering | | | 51 | Stantipe | English | 13th c. | | a to low f# fingering | | 11 | 52 | Ungaresca | Phalese | 1583 | low d | | | | 53 | Bransle de Poictu | Gervaise | 1550 | | | | | 54 | Bransle de Champaigne | Gervaise | 1550 | | | | | 55 | Bransle | Praetorius | 1612 | | dotted quarter and two sixteenth notes in cut time | | | 56 | Stantipe | English | 13th c. | | | | 12 | 57 | There Was a Pretty Lass | Irish | 18th c. | | | | | 58 | Canecutter’s Lament | South Australian | 18th c. | | | | | 59 | Canecutter’s Lament | North Australian | 18th c. | | | | | 60 | Spanish Ladies | Sea Chanty | 18th c. | | | | | 61 | Bransle | Gervaise | 1550 | | | | | 62 | Exercise for low notes | CPF | 1975 | | | | | 63 | Greenwood | Playford | 1651 | | | | 13 | 64 | Round for 2 | Anon. | 17th c. | | low c | | | 65 | Christmas is Coming | Anon. | 17th c. | | | | | 66 | Round for 2, 3, or 4 | Anon. | 17th c. | | | | | 67 | If All the World Were Paper | Playford | 1651 | | | | | 68 | Winder Wie ist nu dein Kraft | Neidhart von Reuental | c. 1225 | | | | | 69 | Maienzeidt | " | c. 1225 | | | | | 70 | Stantipe | English | 13th c. | | | | | 71 | Stantipe | English | 13th c. | | | | | 72 | Stantipe | English | 13th c. | | | | 14 | 73 | Herr Wirt uns Durstet Sehre | Oswald von Wolkenstein | 1410 | | Ionian, Dorian modes playing without barlines | | | 74 | Da Castitatis | Anon. | c. 1260 | | | | 15 | 75 | English Dance | Anon. | 13th c. | | Transposed Ionian mode | | | 76 | Goddesses | English Folk Song | 17th c. | | Dorian mode | | | 77 | Scarborough Fair | English Folk Song | 17th c. | | Dorian mode | | | 78 | Sinc An Gulden Huon | Neidhart von Reunthal | c. 1225 | | Dorian mode | | | 79 | Da Que Deus Mamou | Alphonso X El Sabio | c. 1250 | | Dorian mode | | | 80 | A Reynna | " | " | | Dorian mode | | | 81 | Como Poden | " | " | | two 16th notes in 6/8 | | 16 | 82 | O Virgo Splendens | Spanish Round | c. 1320 | | | | | 83 | A Senor Que | Alphonso X El Sabio | c. 1250 | | Dorian mode | | | 84 | Exercise | CPF | 1975 | | four 16th notes in 6/8 | | | 85 | Motet | French | 13th c. | | Dorian mode | | 17 | 86a | Exercise for Renaissance Tonguing Syllables | CPF | 2002 | | renaissance tonguing (written) | | | 86b | " | " | " | | renaissance tonguing (sounding) | | | 87 | " | " | 1975 | | | | | 88 | Allemande | Susato | 1551 | | | | | 89 | Exercise for Renaissance Tonguing Syllables | CPF | 2002 | | | | | 90 | Ribbon Dance | English | 17th c. | | | | | 91 | English Folkdance | Traditional | 17th c. | | | | 18 | 92 | Ronde and Dance | CPF | 1975 | | dotted half = half (equal pulse) | | | 93 | Ronde & Hoboekentanz | Susato | 1551 | | Dorian mode | | 19 | 94 | Round in Phrygian Mode | CPF | 1975 | | Phrygian mode, 16th note triplets in 6/8 | | | 95 | Phrygian Melody | " | " | | Phrygian mode | | | 96 | Phrygian Exercise | " | " | | 16th note triplets in 6/8 | | | 97 | Motet | French | 13th c. | | Phrygian mode | | 20 | 98 | Nota | English | 13th c. | | review of lessons 1-19 | | | 99 | Finger Control Exercise | CPF | 2002 | | | | | 100 | " | " | " | | | | | 101 | Apley House | English Folk Song | 17th c. | | Ionian mode | | | 102 | Two Part Round | English | 17th c. | | Ionian mode | | | 103 | Come Follow, Follow Me | John Hilton | 1652 | | Ionian mode | | | 104 | White Cockle Bells | English | 17th c. | | Ionian mode | | | 105 | Sans Orgeuil | French Motet | 13th c. | | Dorian mode | | | 106 | Mit Gunstlichem Herzen | Oswald von Wolkenstein | c. 1410 | | Dorian/Ionian mode | | | 107 | Bransle | Praetorius | 1612 | | Transposed Ionian mode |
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